On Mendelssohn’s Elijah, by R. Larry Todd
Few compositions document as compellingly as Elijah the shifting critical reception accorded Felix Mendelssohn Bartholdy (1809-1847) during the past one hundred and fifty years. At the English premiere, heard at the Birmingham Musical Festival in 1846, Elijah was hailed as an undisputed masterpiece; since then it has remained a staple part of the oratorio repertory,… Read More